00749nas a2200133   4500008004100000022001400041245004300055210003800098260004200136520036100178100001700539700002300556856003600579       2009                        eng d  a1913-610200aEditorial: Arts & Media (October 2009)0 aEditorial Arts Media October 2009  aOttawabTalent First Networkc10/20093 a  The editorial theme for the  October issue of the OSBR is arts and media. While code development is often described as an art form, it is less common to see a connection between traditional arts and open source. The articles in this issue explore that connection and the nascent possibilities for content creators, user communities, and entrepreneurs. 
1 aLavigne, Dru1 aWhitehead, Anthony  uhttp://timreview.ca/article/29301442nas a2200121   4500008004100000022001400041245008600055210006900141260004200210520100900252100002301261856003601284       2009                        eng d  a1913-610200aFreely Licensed and Open Source Pipelines for Art Based Film and Media Production0 aFreely Licensed and Open Source Pipelines for Art Based Film and  aOttawabTalent First Networkc10/20093 aGiven the number of free/libre and open source licensed tools, and the number of "no cost" applications at the fingertips of the artist/animator/film developer today, the ability to "create what you will" is now an option for everyone. The advent of affordable media development tools has opened up the world of media production to those who were previously locked out of the Hollywood studio system. Proprietary software including Adobe Creative Suite, Autodesk?s Maya, Nuke, After Effects, Final Draft, and a litany of other necessary tools creates a financial wall so high that ?will? cannot overcome it alone.

In this article, we examine a standard pipeline from a birds-eye-view for anyone with a will to create an Indie film. Without breaking the bank, the entire pipeline is achievable using F/LOSS tools and content that is available under a creative commons license. This allows high quality media development for all. In many cases, these same tools are being used by the Hollywood elite. 
1 aWhitehead, Anthony  uhttp://timreview.ca/article/296